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What Happens in Vegas (2008)
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Overview
Tagline:
Get Lucky. morePlot:
Set in Sin City, story revolves around two people who discover they've gotten married following a night of debauchery... more | add synopsisAwards:
2 wins & 1 nomination moreNewsDesk:
(10 articles)
Jonas Brothers Dominate Teen Choice Awards (From WENN. 4 August 2008, 5:06 AM, PDT)
Marvel-ous Weekend (From Studio Briefing. 17 June 2008, 10:36 AM, PDT)
User Comments:
A romantic comedy without everything it needed to be worthwhile moreUS Showtimes:
(register to personalize)Cast
(in credits order)
Directed by | |||
| Tom Vaughan | |||
Writing credits(WGA) | ||
| Dana Fox | (written by) | |
Produced by | |||
| Michael Aguilar | .... | producer | |
| Joseph M. Caracciolo Jr. | .... | executive producer (as Joe Caracciolo Jr.) | |
| Dean Georgaris | .... | executive producer | |
| Shawn Levy | .... | producer | |
| Arnon Milchan | .... | executive producer | |
| Jimmy Miller | .... | producer | |
Original Music by | |||
| Christophe Beck | |||
Cinematography by | |||
| Matthew F. Leonetti | (director of photography) | ||
Film Editing by | |||
| Matt Friedman | (as Matthew Friedman) | ||
Casting by | |||
| Avy Kaufman | |||
Production Design by | |||
| Stuart Wurtzel | |||
Art Direction by | |||
| W. Steven Graham | |||
Set Decoration by | |||
| Susan Bode | |||
Costume Design by | |||
| Renee Ehrlich Kalfus | (as Reneé Ehrlich Kalfus) | ||
Makeup Department | |||
| Robin Fredriksz | .... | makeup artist: Ms. Diaz | |
| Persefone Karakosta | .... | makeup artist | |
| Sheri Kornhaber | .... | makeup artist | |
| Tracey Levy | .... | makeup artist: Mr. Kutcher | |
| Tania Ribalow | .... | makeup department head | |
| Mary Anne Spano | .... | makeup artist | |
| Lona Vigi | .... | hair stylist: Ms. Cameron Diaz | |
Production Management | |||
| John A. Machione | .... | unit production manager | |
| Judy Richter | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Joseph Aspromonti | .... | additional second assistant director | |
| Eddie Micallef | .... | second assistant director | |
| Justin Ritson | .... | second second assistant director | |
| Glen Trotiner | .... | first assistant director | |
Art Department | |||
| Gary Cergol | .... | graphic artist | |
| Brandon Cook | .... | props | |
| Jennifer De Fouchier | .... | art department production assistant | |
| Cosmas A. Demetriou | .... | assistant art director | |
| Ruth DiPasquale | .... | property master | |
| Timothy Feimster | .... | set dresser | |
| Steven Glazman | .... | storyboard artist | |
| Apache Gonzalez | .... | set dresser | |
| Adam Goodnoff-Cernese | .... | on-set dresser | |
| Bruce Lee Gross | .... | leadman | |
| Edward A. Ioffreda | .... | graphic artist | |
| Connor Jones | .... | art department production assistant | |
| John Kasarda | .... | assistant art director | |
| Nora Kasarda | .... | art department coordinator | |
| Marion Kolsby | .... | assistant art director | |
| Joseph S. Patire | .... | construction coordinator | |
| Jennifer Santucci | .... | set dresser | |
| Karl Shefelman | .... | storyboard artist | |
| James Smagge | .... | art department production assistant: Las Vegas | |
| Michelle Stella | .... | clearances: Las Vegas | |
| James Whelan | .... | set dresser | |
Sound Department | |||
| Ron Bedrosian | .... | adr mixer | |
| Derek Casari | .... | adr engineer | |
| Smokey Cloud | .... | assistant sound editor | |
| David Giammarco | .... | sound re-recording mixer | |
| Tim Gomillion | .... | sound recordist | |
| Galen Goodpaster | .... | first assistant sound editor | |
| David Grimaldi | .... | sound effects editor | |
| Mildred Iatrou | .... | supervising adr editor (as Mildred Iatrou Morgan) | |
| Nancy MacLeod | .... | sound editor | |
| Paul Massey | .... | sound re-recording mixer | |
| Chuck Michael | .... | sound effects editor | |
| John Morris | .... | supervising sound editor | |
| Christopher Newman | .... | sound mixer | |
| Willard Overstreet | .... | foley editor | |
| Egor Panchenko | .... | audio playback operator | |
| William Stein | .... | re-recording engineer | |
| Greg Zimmerman | .... | adr recordist | |
Special Effects by | |||
| John Stifanich | .... | special effects coordinator | |
Visual Effects by | |||
| Kyle Boylen | .... | digital compositor | |
| Patrick Clancey | .... | digital opticals | |
| Aleksandar Djordjevic | .... | digital compositor | |
| Richard Friedlander | .... | visual effects producer: Brainstorm Digital | |
| Noel Hooper | .... | digital compositor | |
| Ashraf Kotaal | .... | digital compositor | |
| Haydn Masuda | .... | digital artist | |
| Scott Minter | .... | digital compositor | |
| Eroc Moralls | .... | visual effects artist | |
| Stewart Pomeroy | .... | digital effects artist | |
| Eric J. Robertson | .... | visual effects supervisor | |
| Christa Tazzeo | .... | visual effects producer: Invisible Pictures | |
| Chris 'Pinkus' Wesselman | .... | digital compositor: Brainstorm Digital | |
| Jun Zhang | .... | digital compositor | |
Stunts | |||
| Jennifer Badger | .... | stunt double: Lake Bell | |
| John Cenatiempo | .... | stunts | |
| Blaise Corrigan | .... | stunt coordinator | |
| William Cote | .... | stunts | |
| Drew Leary | .... | stunts | |
| Samantha MacIvor | .... | stunts | |
| Ian Mclaughlin | .... | lead stunt double: Ashton Kutcher | |
| Ian Mclaughlin | .... | stunt double | |
| Kimberly Shannon Murphy | .... | stunt double: Cameron Diaz | |
| Victor Paguia | .... | stunts | |
| Kimmy Suzuki | .... | stunt double | |
| Anthony Vincent | .... | stunt double: Ashton Kutcher | |
Casting Department | |||
| Lois J. Drabkin | .... | casting associate | |
| Leeba Zakharov | .... | casting associate | |
Costume and Wardrobe Department | |||
| Meghan Corea | .... | costume assistant | |
| Zoe Friedman | .... | additional wardrobe assistant | |
| Yulia Gershenzon | .... | costumer: Cameron Diaz | |
| Rhonney Greene | .... | set costumer | |
| Monique Long | .... | assistant to costume designer | |
| Carmia Marshall | .... | costumer | |
| Winsome G. McKoy | .... | costumer | |
| Kathy Oberlin | .... | costume supervisor | |
| Brianna Patterson | .... | costume coordinator | |
| Paul Sinnott | .... | wardrobe assistant | |
| Lisa Thoreson | .... | additional wardrobe assistant | |
| Adam Watt | .... | costume assistant | |
| Rose Wells | .... | key costumer | |
Editorial Department | |||
| Gordon Antell | .... | first assistant editor | |
| Gary Burritt | .... | negative cutter | |
| Rick Derby | .... | first assistant editor | |
| Angela Gerardo | .... | post-production coordinator | |
| Harry Muller | .... | color timer | |
| Andrew Thompson | .... | assistant editor | |
| Adam M. Weber | .... | editorial production assistant | |
Music Department | |||
| Deva Anderson | .... | music supervisor | |
| Kevin Kliesch | .... | orchestrator | |
| Jake Monaco | .... | additional orchestrator | |
| Delphine Robertson | .... | music coordinator | |
| Peter Rotter | .... | music contractor | |
| Casey Stone | .... | music scoring mixer | |
| Joseph Trapanese | .... | additional orchestrator | |
Transportation Department | |||
| Lyle Christensen | .... | shotmaker driver | |
| Roger Wooge | .... | driver | |
- 21 Laps Entertainment
- Dune Entertainment III (in association with)
- Mosaic Media Group
- Penn Station Entertainment
- Regency Enterprises
- 20th Century Fox Australia (2008) (Australia) (theatrical)
- 20th Century Fox (2008) (UK) (theatrical)
- 20th Century Fox (2008) (Japan) (theatrical)
- 20th Century Fox (2008) (Singapore) (theatrical)
- 20th Century Fox de Argentina (2008) (Argentina) (theatrical)
- 20th Century Fox of Germany (2008) (Germany) (theatrical)
- FS Film Oy (2008) (Finland) (all media)
- Fox-Warner (2008) (Switzerland) (theatrical)
- Odeon (2008) (Greece) (theatrical)
- Twentieth Century Fox C.I.S. (2008) (Russia) (theatrical)
- Twentieth Century-Fox Film Corporation (2009) (USA) (theatrical)
- Warner Bros. (2008) (Netherlands) (theatrical)
- Brainstorm Digital
- Invisible Pictures (additional visual effects)
- Dolby Laboratories sound mix
- EFilm digital intermediate facility
- Gotham Sound walkies provided by
- Henry's International Cuisine catering
- Movie Movers star trailers
- Movie Movers transportation
- Picture Mill, The titles
- Rockbottom Rentals junxion box rentals
- Rockbottom Rentals walkie rentals
Additional Details
MPAA:
Rated PG-13 for some sexual and crude content, and language,including a drug reference.Parents Guide:
View content advisory for parentsRuntime:
USA:99 minCountry:
USALanguage:
EnglishColor:
ColorAspect Ratio:
2.35 : 1 moreCertification:
Canada:G (Québec) | Spain:T | South Africa:10M | UK:12A | Argentina:Atp | Sweden:Btl | Ireland:15A | Canada:PG (Alberta/British Columbia/Manitoba/Ontario) | Denmark:7 | Switzerland:10 (canton of Vaud) | Taiwan:PG-12 | Portugal:M/12 | Malaysia:U | USA:PG-13 (certificate #44208) | Hong Kong:IIA | Sweden:11 | Singapore:PG | Australia:M | Switzerland:10 (canton of Geneva) | Norway:7 | Brazil:12 | South Korea:15 | France:U | Finland:K-11 | Philippines:PG-13 (MTRCB) | Netherlands:6 | Germany:6MOVIEmeter: 
764% since last week
why?
Fun Stuff
Goofs:
Factual errors: The slot machine that pays out the 3 Million Dollars is a progressive slot machine. The viewer can see by the payout chart on the machine they are playing that one quarter with a max pay out hit would only pay 1000 quarters. It would take two quarters to hit the progressive jackpot of three million dollars. moreSoundtrack:
Flashdance... What a Feeling moreFAQ
How much sex, violence, and profanity are in this movie?What songs are in the movie?
Is this movie based on a book?
more
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| News articles | IMDb Comedy section | IMDb USA section |
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Let's begin with the screenplay.
Nah -- it isn't worthy of discussion. Junk.
The acting? Worth less.
Direction? Follows some well-worn formulaic ruts, but veers off on occasion into illogical idiocy.
The Comedy? Nothing that hasn't been done before.
The Romance? No magic. No chemistry. No talent in evidence.
Overall? Amazing to think of the money and time that went into this and that it may well make a profit. If this is "good" the French are right about Jerry Lewis. 1000 years from now this may be shown in universities as indicative of the art of a minor civilization that died a deserved death.
Not worth watching unless you have recently had an operation and you are on heavy doses of morphine. You'll enjoy all the colors.